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Daniel Griffiths, a music editor for Future Music, told the BBC that Auto-Tune is "pretty much used in 99 percent of recorded music today."Īnd that's not just pop stars and top-40 artists. Kanye West produced an entire album with it. Throughout the '90s and early 2000's, the use of Auto-Tune spread in the music industry without much hinderance. It's arguable that voice manipulation has existed for longer than American popular music, especially if we mark the beginning of modern American pop music to Billy Haley's 1955 " Rock Around the Clock," as many pop-historians do.
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The first voice synthesizer, the Vocoder, was invented in the 1930s to send encoded messages during World War II. Using auto-tune is as easy as flipping a switch.īefore that time, in the '70s and '80s, voice synthesizers had been used by musicians to achieve the same effect: a vocal sound better than the one the artist could create on their own. The technology allowed for Pro-Tools, the industry standard for music editing at the time, to determine the key of the song and move misplaced notes up or down to match that key. Modern day Auto-Tune's infiltration of the music industry began in 1998 with Cher's "Believe" which, though the producers claime d it was made without computers, was heavily manufactured in the studio. Auto-tune is actually the name of a specific product (its competitor is Melodyne), but the term has come to mean any sort of pitch correction small or large. Let's get something straight: Auto-Tune is everywhere, and everyone uses it. And like it or not, success as a pop star is in no way tied to vocal ability. But why do people expect such immense vocal skills from a star that has never displayed them? Believing that Britney should be able to sing impressively without Auto-Tune requires you to believe something else: that Britney Spears is a musician.īritney Spears is not a musician. Both put chinks into the armor of authenticity every pop star is required to wear. In February, she was criticized for lip-syncing during her concerts in Las Vegas. This is not the first time this year that Spears has come under fire for her voice this year. What matters, though, is that people want to believe that Spears is not a good singer, even though her vocal ability does not matter at all.
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It is entirely possible that the sound clip was manufactured from the final product in Auto-Tune. It's important to note here, that some people believe that this sound clip itself has been constructed as an attempt to dethrone Britney and attack her authenticity as an artist. The point is that it is not supposed to be shared with millions of listeners."Įven if it was a warm-up, the "unedited" recording of "Alien," a song that doesn't require a very wide vocal range, is pretty pathetic. "I've heard all manner of sounds emitted during warmups. "I'd like to affirm that ANY singer when first at the mic at the start of a long session can make a multitude of vocalisations in order to get warmed up," Orbit wrote on his Facebook page. William Orbit, who produced Britney Jean, rushed to Spears' defense, saying that the pop star had simply been warming up and that this was not an accurate reflection of her talent. The Independent said she sounded like a "strangled cat." Us Weekly called it "downright scary." Neither of those comments are a stretch. On the track, Spears sings "Alien" from her most recent album Britney Jean, (supposedly) without editing and without Auto-tune. Britney Spears became the latest victim of Auto-Tune truthers after an unedited version of her singing was leaked this week.